In jazz, the 2-5-1 progression is often played with an added 7th above each chord. The 2-5-1 progression can be traced back to early Delta blues, where it was used to great effect by artists including Robert Johnson and Muddy Waters. This is why it’s so popular in jazz and blues. This progression has a strong sense of movement and resolution, as it includes the three most important elements that make up a well-formed progression-subdominant (ii), dominant (V), and resolving to the tonic (I). For example, in the key of C, the 2-5-1 progression would be D minor, G major, and C major. It’s made up of three chords: the ii, the V, and the I, which are each built on the second, fifth and first scale degrees respectively. The 2-5-1 chord progression is one of the most commonly used progressions in all of music.
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